|
by Mary Calhoun
ISBN 0-688-13919-1 (Trade edition)
ISBN 0-688-13920-5 (Library edition)
1997 Published by Morrow Junior Books, New York
Synopsis
"Nature's fury...and a family's strength
Sarajean has played by the Mississippi River all her life,
so when she hears that it might overflow its banks and flood her home,
she can't believe it! But the rain keeps falling, and the river continues
to rise. Her family stacks sandbags around the house's foundation and moves
upstairs. For a while Sarajean has fun pretending she's camping out-but
then the levee breaks....Using the devastating Midwest floods of 1993 as
their backdrop, best-selling author Mary Calhoun and award-winning illustrator
Erick Ingraham tell the poignant story of a young girl who discovers what
is truly important during a time of trouble.
You don't belong in here!" Sarajean screamed out the window at
the river." How could you do this to us?"
When Sarajean first hears that the exciting river she's
lived near all her life might overflow its banks and flood her home, she
can't believe it. Not her beloved river! But the rain keeps falling-and
the river continues to rise.
Mom and dad say not to worry, but just in
case, they stack sandbags around the house's foundation, and the family
packs up their belongings and moves upstairs. For a while Sarajean has
fun pretending she's camping out. But then the levee breaks....
Reviews
BCCB
...With a brooding intensity, watercolor and pencil illustrations impressively
convey the imminent danger:water-invaded cornfields, darkly pregnant storm
clouds, the sandbagging efforts of resolute residents. Particularly poignant
is the portrait of Sarajean peering anxiously from a window, the panes
reflecting the flood's menacing presence. Text and pictures combine to
create a moody atmosphere of familial dramas played against mounting peril...
KIRKUS 2/1/97
Wholesome family values are served up in this story of one family's
survival of the great flood of the Midwest in 1993. Sarajean is as tenacious
as her grandmother in her resistance to the rising waters of her beloved
Mississippi. When possessions, including Sarajean's dog, are moved to higher
ground, her family staunchly "camps out" on the second story
to weather the storm. When the levee breaks, they are forced to evacuate.
In true Laura Ingalls Wilder style, they learn the true meaning of home.
This is not high-action disaster drama; it is social commentary via the
portrait of an individual family's efforts and contribution within a community.
Appropriately dull grays and blues convey the damp, dreary heaviness of
the skies and water-soaked landscape in a much more serious take on floods
than found in George Ella Lyon's lively Come a Tide (1990). Although the
home-is-where-the-heart-is message is heavy handed, it's also enduring.
ALA [Starred Review]
Ages 4-9. Powerful in its understatement, this dramatic
picture book tells of a young midwestern girl and her family who lose their
home in the 1993 flooding of theMississippi River. The storytelling is
quiet, but it is tightly paced as it moves inexorably to the climax. At
first Sarajean finds it exciting as the river rises and rises, and everyone
works to build up the levee, and her dad loads the pickup with sandbags
to stack against the house. Should they stay? Grandma is adamant that she
won't leave home, so they empty out the first floor and move upstairs,
until finally the levee breaks, the town is drowning, and they must move
to their relatives' place on higher ground. Ingraham's pastel pencil and
watercolor illustrations are extraordinary, both the sweeping views of
the stormy midwestern landscape and the interior close-up scenes of the
family facing their loss together. Much of Sarajean's narrative focuses
on Grandma, and the view of the elderly woman clutching her photo albums
in a boat in the early morning light is a telling image of the natural
disaster. Just as moving is the unspoken drama of Sarajean's parents. In
their taut faces around the kitchen table you can see what isn't said:
their heartbreak and their bond. --Hazel Rochman
|